Not
that the picturesque harbor on the northern coast of Normandy lacks history -- it is a
fascinating little seaport village. It really has more to do with the charming
colorful buildings that line the perimeter of the rectangular port amid a
perpetual pageant of changing light. Little wonder the Impressionist artists of
the 19th century were drawn to the region.
Today,
more than a century and a half later, artists still favor a spot at the
northeast corner of town beside the Old Dock of the harbor. Here they paint the
same scene that has captured the imagination for nearly two hundred years. And
yet, somehow each new interpretation seems to maintain a certain individuality
despite myriad renditions that have been transferred from palette to canvas
over the decades.
When
native son Eugene Boudin was advised by Dutch painter Johan Jongkind to
practice his craft outdoors, or en plein
air, it marked the early beginnings of Impressionism. Later Boudin
befriended Claude Monet, who was only 18 at the time, and convinced the young
prodigy to give up doing caricatures and concentrate on landscapes. The rest is
history.
Monet’s
1872 painting Impression, Sunrise , which depicts the harbor in nearby Le Havre , gave the
Impressionist movement its name, though it was initially intended as a
derogatory description.
Honfleur’s
glorious light is typical of the region where white cotton ball clouds can
become sinister rolling gray thunderheads in mere minutes. The ever-evolving
shades of shadow and light represent the character of Honfleur and provide a
kaleidoscope backdrop that rivets the imagination.
Situated
on the estuary of the River Seine that flows through Paris , Honfleur thrived at the beginning of
the Hundred Years War when Charles V bolstered the town’s defenses for
strategic purposes. It was first mentioned in the early 11th
century, but it was not until the middle of the 12th century that
Honfleur became a major shipping lane for goods moving from Rouen
to England .
During
the 16th and 17th centuries, Honfleur was an important
departure point for several major explorations. Binot Paulmierde Gonneville
sailed to the coast of Brazil
in 1503. Three years later, Jean Denis, who lived in Honfleur, traveled to Newfoundland and through the mouth of the Saint Lawrence River . In 1608, Samuel de Champlain
founded the city of Quebec and Cavalier de La
Salle, and discovered the mouth of the Mississippi
in 1681 during an expedition that began from Honfleur.
That
maritime flavor remains an important facet of the appeal of Honfleur today. The
tiny seaport thrives with sidewalk cafes, charming galleries, narrow streets
and architectural allure.
A
walk around the harbor is all the orientation one needs. Just behind the harbor
is the Church of Saint-Catherine of Alexandria
-- the main landmark of the village. The distinct wooden structure with its
engaging bell tower was constructed shortly after the Hundred Years War using
naval building techniques. A second nave was added later in the 16th
century.
Honfleur
has four museums of note. Museum Eugene Boudin pays homage to the master who
brought notoriety to the city with his art. Naturally, the town would be
incomplete without a Naval
Museum . Vieux Honfleur
Museum focuses on the
village’s history, while the Erik Satie House gets mixed reviews from travelers
desiring to know more about the life of the eccentric early 20th
century musician
Saturday
is market day until 1 p.m. Regional farmers bring fresh meat, fish and produce
to the center of town, which adds another distinct layer of personality to
Honfleur’s already seductive charms.
Occasionally
a festival will pop up, but for the most part Honfleur is content to exist
within its bewitching magnetism.
Access
to Honfleur must be done by motor transportation, or by boat, but there is rail
service to nearby Deauville and Le Havre .
You
see, Honfleur is one of those in-between places … a place that evokes optimism,
a place where the whole world just seems to be right.
0 comments:
Post a Comment